![]() The murder of so many people was a devastating loss for the country and a tragedy for the families of the victims. This platform is deemed a great archive of archives which makes it possible to connect the different narrations arising in relation to culture and modern and contemporary art.The September 11, 2001, attacks on the World Trade Center and the Pentagon and the crash of United Airlines Flight 93 in a field in southwestern Pennsylvania claimed the lives of almost three thousand individuals. To create a digital platform through which the network and all of its components can increase their capacity to foment inquiry and knowledge dissemination.To contribute to reflection and debate and to propose new spaces for visibility.To develop art research and creation programs in close relation with training programs, in collaboration with universities and academic communities.To create a common archive in this area, the work performed by the network Conceptualismos del Sur is of great value.To promote activities designed in a joint manner.To heighten the circulation of programs and exhibitions.To create a shared heritage that views the transfer, donation, purchase and deposit of artworks to all be valid ways to move towards a common acquisition policy.The programs undertaken by the Foundation, all of which revolve around the aforementioned project, will give priority to the following areas of action: The Fundación Museo Reina Sofía represents a broad, coherent and sustainable structure designed to promote and strengthen the project Red Museos del Sur. periphery, and highlight the usefulness of poetic aptitudes and critical judgement as mechanisms for interpreting the world. The Foundation intends to serve as a platform from which to implement new action protocols, move towards a shared notion of material and immaterial heritage, preserve and activate memory beyond the dynamics of centre vs. The Foundation was created in response to the need to give the Museum a suitable structure and appropriate tools for turning this set of disperse collaborations and interventions into the framework of a new way of understanding the museum institution, an understanding more fitting with the demands and aspirations of today's society. The extent of its collaboration with institutions and collectives all over the world has increased exponentially in recent years and the Museum participates – actively and with its own, unique voice – in the most important contemporary culture forums. Museo Reina Sofía already operates in these terms to a large degree. In contrast with the self-enclosed museum, the idea is to develop an open fabric of institutions, groups and agents of various types that, being situated in and involved with the world, are in a position to share and circulate objects, knowledge and stories, with the awareness that, in today's world, culture is generated thanks to the work of this common fabric. This term alludes to a myriad of singularities that do not fit into independent structures but rather are connected to one another by a network-type structure. Reconceptualising the museum thus involves leaving behind the conventional, exclusivist notion of culture and setting up a new field of operations: communality. At this point in time, however, culture is derived from a flow of ideas, values and affective factors that defy such models. Their institutional models and their operating structures reflect this mission and framework of action. Traditionally, museums have been motivated by the logic of conservation and by the perceived need to reaffirm identities conceived within the boundaries of a defined territory. Institutions currently face two main challenges: how to respond to today's context of knowledge production and dissemination in the international sphere and how to acquire flexible and sustainable structures appropriate to the new global economy. What is needed instead is the mobilisation of intellectual and imaginative resources, and the pooling of a multitude of different intentions. ![]() Taking into account that ours is an era heavily marked by the economic crisis, a period of profound changes that have shaken even our deepest certainties, the formulation of models that will allow us to respond to today's challenges cannot be based on the parameters of a static world. ![]() The Fundación Museo Reina Sofía was founded in 2012 with a three-fold objective: to promote a network of partnerships – including museums and art centres, universities, study centres and other places in which thought is generated to encourage greater participation by society in the Museum and to modernise the Museum's management mechanisms, furthering the extent of self-financing.
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